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WORK RESEARCH/BLOG

ARTHI 4611-001 Walk That Way | 2023 SPRING

Instructor: Lori Waxman
Personal Research:
Technology-related walking artworks
Walking Through Technology

Reading resources:

Rebecca Solnit, Wanderlust: A History of Walking, New York: Penguin, 2000.
Francesco Careri, Walkscapes: walking as an aesthetic practice. Ames, IA: Culicidae Architectural Press, 2017 [Barcelona: Editorial Gustavo Gili, 2002].
James Trainor, “Walking the Walk: the artist as flâneurLinks to an external site.,” Border Crossings 22 no 4 (November 2003).
Sophie Calle, Suite VénitienneActions, Paris: Siglio Press, 2015.
Ivan Chtcheglov, "Formulary for a New Urbanism (1953)Links to an external site.," translated by Ken Knabb, Bureau of Public Secrets.
Guy Debord, “Theory of the Dérive (1956)Links to an external site.,” translated by Ken Knabb, nothingness.org.
Guy Debord, “Two Accounts of the Dérive (1956)Links to an external site.,” in on the Passage of a few people through a rather brief moment in time: the Situationist International 1957-72, edited by Elisabeth Sussman, Cambridge: MIT, 1989, p. 135-9.
Ralph Rumney, The Leaning Tower of Venice, Paris: Silverbridge, 2002.
Michel De Certeau, “Chapter 7: Walking in the City,” The Practice of Everyday Life, translated by Steven Randall, Berkeley: University of California Press, 1984, p. 91-110.
Dennis Adams and Laurent Malone, JFK: Traversée photographique de New York, Marseille: LMX, 2002. [On reserve at Flaxman.]
André Breton, excerpt from NadjaActions, translated by Richard Howard, New York: Grove, 1960, bottom of p. 51-55. (Nadja, Paris: Gallimard, 1928.)
John Cage poems from “Mushroom Book,” in M: Writings ‘67-’72, Middletown, CT: Wesleyan University Press, 1973: 117, 126-7, 128, 137, 167, 171.
Richard Wentworth, Making do and getting by, London: Koenig Books, 2015. [On reserve in Flaxman.]
Excerpt from De Ridder: Retrospective. Amsterdam: Holland Festival/Groninger Museum, 1983, n.p.
[optional] David Pinder, “Ghostly Footsteps: Voices, Memories and Walks in the CityLinks to an external site.,” Ecumene no. 8 vol. 1 (2001), n.p.
Dick Higgins, "A Child's History of Fluxus Actions," originally published in Lightworks, No. 11-12 (Fall 1979), 26- 27.
Helen Scalway, "The Contemporary flâneuse," in The Invisible Flâneuse?: Gender, public space, and visual culture in nineteenth-century Paris, edited by Aruna D'Souza and Tom McDonough (Manchester and New York: Manchester U.P., 2006), 168-171. [contemporary first-person account]
Janet Wolff, "Gender and the haunting of cities (or, the retirement of the flâneur)," in The Invisible Flâneuse, 18-31. [academic investigation]
Virginia Woolf, “Street Haunting (1930),” Read Books, 2012, p. 5-21. [historical first-person account]

ARTHI 4950 Digital Art Europe Now | 2022 SUMMER

Instructor: Dominque
Personal Research:
ART & TECHNOLOGY & PLANTS

Reading resources:

Dominique Moulon, Art Beyond Digital, 2017.
Dominique Moulon, Masterpieces of the 21st Century, 2021.

OTHER

ARTTECH 4132 Retro Tech | 2022 FALL

Instructor: Lee Blalock
Personal Research:
Game loading
Retro Talk 2022 FALL

ARTHI 5515 Art & Biotechnology | 2022 SPRING

Instructor: Edward Kac
Personal Research:
Lab-grown Meat
The social ethics of lab-grown meat.ppt

Reading resources:

Kac, E. Signs of Life: Bio Art and Beyond (Cambridge: MIT Press, 2007).

Research Bibliography:

Hendrik-Jan Grievink, In Vitro Meat Cook Book-Koert van Mensvoort
Lestel, Dominique. Eat This Book : a Carnivore’s Manifesto. New York: Columbia University Press, 2016.
Adams, Carol J. The Sexual Politics of Meat : a Feminist-Vegetarian Critical Theory. Bloomsbury revelations edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., 2015.
Wurgaft, Benjamin Aldes. Meat Planet : Artificial Flesh and the Future of Food. Oakland, California: University of California Press, 2019.
Donaldson, Brianne, and Christopher Carter. The Future of Meat Without Animals. London : Rowman & Littlefield International, 2016.

ARTHI5002 Art After Nature | 2021 FALL

Instructor: Giovanni Aloi
Personal Research:
Chinese View of Nature
Chinese View of Nature.ppt-Yuwen

Reading resources:

Aloi, G. (2011) Art & Animals, Preface, p.xv-xxi
Berger, J. (1980) ‘Why look at animals?’ in About Looking, (New York:Vintage)
Akiyama, M. (2014) ‘Speaking of Animals’ in Land & Animal & Nonanimal(Berlin: HKW) pp.15-29
Aloi, G. (2011) Art & Animals, ‘Taxidermy: Subjugated Wilderness’ pp.25-48
Zimmer, C. (2012) ‘Justine Cooper: The Awe of Natural History’ in Nature,(London: Whitechapel), pp.195-198
Haraway, D. J. (1984) ‘Teddy bear patriarchy’: Taxidermy in the Garden of Eden’, in Social Text, n. 11, Winter, pp.20-64
Adams, C. (1991) ‘Chapter 1’ in The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, (New York: Bloomsbury Academic) pp.47-63
Mntambo, N. (2007), ‘Locating Me in Order to See You’, MA thesis, University of Cape
Ge, A. and Skawennati (2019) “Asserting Aboriginal Territories in Cyberspace” in Feminuity, online
https://www.feminuity.org/blog/interview-with-the-artist-skawennati
Aloi, G. and McHugh, S. (2021) ‘Envisioning Posthumanism’ in Posthumanism in Art and Science (New York: Columbia University Press)
pp.1-21
Ferrando. F. (2015) 'A Feminist Genealogy of Posthuman Aesthetics in the Visual Arts' in Palgrave Communications, DOI: 10.1057/palcomms.2016.11
Marder, M. (2013) ‘To Encounter the Plants…’ in Plant Thinking—A Philosophy of Vegetal Life, (New York: Columbia University Press) pp.1-13
Kimmerer, R. W. (2013) ‘The Three Sisters’ in Braiding Sweetgrass, (Minneapolis: Milkweed) pp.128-140
Kimmerer, R. W. (2013) ‘The Three Sisters’ in Braiding Sweetgrass, (Minneapolis: Milkweed) pp.128-140
McKinley, C., E. “introduction” in Indigo: In Search of the Color That Seduced the World, (New York: Bloomsbury)
TallBear, K. (2011) ‘Why Interspecies Thinking Needs Indigenous Knowledge’ in Society for Cultural Anthropology, online:
https://culanth.org/fieldsights/why-interspecies-thinking-needs-indigenousstandpoints
Morton, T. (2013) ‘The Age of Asymmetry’ in Hyperobjects: Philosophy and Ecology After the End of the World, (Minneapolis: University of Minnesota Press) pp.159-202
Yusoff, K. (2018) “introduction” in A Billion Black Anthropocenes or None (Minneapolis: University of Minnesota Press)
Dipesh Chakrabarty, "Whose Anthropocene? A Response" in Transformations in Environment and Society 2016/2
Inoue, C., Y. A. and Moreira, P., F. (2016) “Many worlds, many nature(s), one planet: indigenous knowledge in the Anthropocene” in Revista
Brasileira de Política Internacional, 59(2) pp.1-19
Pagle, T. (2008) ‘Experimental Geography’ in Nature, pp. 104-106
Whyte, K. (2017) ‘Indigenous Climate Change Studies: Indigenizing Futures, Decolonizing the Anthropocene’ in English Language Notes 55.1-2 Fall
2017, pp.153-162
Yamamura, M. (2021) ‘Archetypes: Cordillera’s labyrinth’ in Antennae: The Journal of Nature in Visual Culture, pp. 122-139
Boettgger, S. (2008) ‘Looking at, and Overlooking, Women Working in Land Art in the 1970s’, in Nature, pp.31-34
Demos, T.J. (2016) ‘Introduction’ in Decolonizing Nature, (Berlin: Sternberg Press) pp.199-128
Nyong’ O (2019) ‘Little Monsters’ in Afro-Fabulations (New York: New York University Press) pp. 129-150
Chua, K., Davis, L., Taylor, N. (2021) Uncontainable Natures vol. #1 and #2 in Antennae: The Journal of Nature in Visual Culture, www.antennae.org.uk

← BACK TO PROJECTS

WORK RESEARCH/BLOG

ARTHI 4611-001 Walk That Way | 2023 SPRING

Instructor: Lori Waxman Personal Research: Technology-related walking artworks Walking Through Technology

Reading resources:

Rebecca Solnit, Wanderlust: A History of Walking, New York: Penguin, 2000.

Francesco Careri, Walkscapes: walking as an aesthetic practice. Ames, IA: Culicidae Architectural Press, 2017 [Barcelona: Editorial Gustavo Gili, 2002].

James Trainor, “Walking the Walk: the artist as flâneurLinks to an external site.,” Border Crossings 22 no 4 (November 2003).

Sophie Calle, Suite VénitienneActions, Paris: Siglio Press, 2015.

Ivan Chtcheglov, "Formulary for a New Urbanism (1953)Links to an external site.," translated by Ken Knabb, Bureau of Public Secrets.

Guy Debord, “Theory of the Dérive (1956)Links to an external site.,” translated by Ken Knabb, nothingness.org.

Guy Debord, “Two Accounts of the Dérive (1956)Links to an external site.,” in on the Passage of a few people through a rather brief moment in time: the Situationist International 1957-72, edited by Elisabeth Sussman, Cambridge: MIT, 1989, p. 135-9.

Ralph Rumney, The Leaning Tower of Venice, Paris: Silverbridge, 2002.

Michel De Certeau, “Chapter 7: Walking in the City,” The Practice of Everyday Life, translated by Steven Randall, Berkeley: University of California Press, 1984, p. 91-110.

Dennis Adams and Laurent Malone, JFK: Traversée photographique de New York, Marseille: LMX, 2002. [On reserve at Flaxman.]

André Breton, excerpt from NadjaActions, translated by Richard Howard, New York: Grove, 1960, bottom of p. 51-55. (Nadja, Paris: Gallimard, 1928.)

John Cage poems from “Mushroom Book,” in M: Writings ‘67-’72, Middletown, CT: Wesleyan University Press, 1973: 117, 126-7, 128, 137, 167, 171.

Richard Wentworth, Making do and getting by, London: Koenig Books, 2015. [On reserve in Flaxman.]

Excerpt from De Ridder: Retrospective. Amsterdam: Holland Festival/Groninger Museum, 1983, n.p.

[optional] David Pinder, “Ghostly Footsteps: Voices, Memories and Walks in the CityLinks to an external site.,” Ecumene no. 8 vol. 1 (2001), n.p.

Dick Higgins, "A Child's History of Fluxus Actions," originally published in Lightworks, No. 11-12 (Fall 1979), 26- 27.

Helen Scalway, "The Contemporary flâneuse," in The Invisible Flâneuse?: Gender, public space, and visual culture in nineteenth-century Paris, edited by Aruna D'Souza and Tom McDonough (Manchester and New York: Manchester U.P., 2006), 168-171. [contemporary first-person account]

Janet Wolff, "Gender and the haunting of cities (or, the retirement of the flâneur)," in The Invisible Flâneuse, 18-31. [academic investigation]

Virginia Woolf, “Street Haunting (1930),” Read Books, 2012, p. 5-21. [historical first-person account]

ARTHI 4950 Digital Art Europe Now | 2022 SUMMER

Instructor: Dominque Personal Research: ART & TECHNOLOGY & PLANTS

Reading resources: ​

Dominique Moulon, Art Beyond Digital, 2017.

Dominique Moulon, Masterpieces of the 21st Century, 2021.

ARTTECH 4132 Retro Tech | 2022 FALL

Instructor: Lee Blalock Personal Research: Game loading Retro Talk 2022 FALL

ARTHI 5515 Art & Biotechnology | 2022 SPRING

Instructor: Edward Kac Personal Research: Lab-grown Meat The social ethics of lab-grown meat.ppt

Reading resources: ​​

Kac, E. Signs of Life: Bio Art and Beyond (Cambridge: MIT Press, 2007).

​

Research Bibliography:

Hendrik-Jan Grievink, In Vitro Meat Cook Book-Koert van Mensvoort

Lestel, Dominique. Eat This Book : a Carnivore’s Manifesto. New York: Columbia University Press, 2016.

Adams, Carol J. The Sexual Politics of Meat : a Feminist-Vegetarian Critical Theory. Bloomsbury revelations edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., 2015.

Wurgaft, Benjamin Aldes. Meat Planet : Artificial Flesh and the Future of Food. Oakland, California: University of California Press, 2019.

Donaldson, Brianne, and Christopher Carter. The Future of Meat Without Animals. London : Rowman & Littlefield International, 2016.

ARTHI5002 Art After Nature | 2021 FALL

Instructor: Giovanni Aloi Personal Research: Chinese View of Nature Chinese View of Nature.ppt-Yuwen

Reading resources: ​​​

Aloi, G. (2011) Art & Animals, Preface, p.xv-xxi

Berger, J. (1980) ‘Why look at animals?’ in About Looking, (New York:Vintage)

Akiyama, M. (2014) ‘Speaking of Animals’ in Land & Animal & Nonanimal(Berlin: HKW) pp.15-29

Aloi, G. (2011) Art & Animals, ‘Taxidermy: Subjugated Wilderness’ pp.25-48

Zimmer, C. (2012) ‘Justine Cooper: The Awe of Natural History’ in Nature,(London: Whitechapel), pp.195-198

Haraway, D. J. (1984) ‘Teddy bear patriarchy’: Taxidermy in the Garden of Eden’, in Social Text, n. 11, Winter, pp.20-64

Adams, C. (1991) ‘Chapter 1’ in The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, (New York: Bloomsbury Academic) pp.47-63

Mntambo, N. (2007), ‘Locating Me in Order to See You’, MA thesis, University of Cape

Ge, A. and Skawennati (2019) “Asserting Aboriginal Territories in Cyberspace” in Feminuity, online https://www.feminuity.org/blog/interview-with-the-artist-skawennati

Aloi, G. and McHugh, S. (2021) ‘Envisioning Posthumanism’ in Posthumanism in Art and Science (New York: Columbia University Press) pp.1-21

Ferrando. F. (2015) 'A Feminist Genealogy of Posthuman Aesthetics in the Visual Arts' in Palgrave Communications, DOI: 10.1057/palcomms.2016.11

Marder, M. (2013) ‘To Encounter the Plants…’ in Plant Thinking—A Philosophy of Vegetal Life, (New York: Columbia University Press) pp.1-13

Kimmerer, R. W. (2013) ‘The Three Sisters’ in Braiding Sweetgrass, (Minneapolis: Milkweed) pp.128-140

Kimmerer, R. W. (2013) ‘The Three Sisters’ in Braiding Sweetgrass, (Minneapolis: Milkweed) pp.128-140

McKinley, C., E. “introduction” in Indigo: In Search of the Color That Seduced the World, (New York: Bloomsbury)

TallBear, K. (2011) ‘Why Interspecies Thinking Needs Indigenous Knowledge’ in Society for Cultural Anthropology, online: https://culanth.org/fieldsights/why-interspecies-thinking-needs-indigenousstandpoints

Morton, T. (2013) ‘The Age of Asymmetry’ in Hyperobjects: Philosophy and Ecology After the End of the World, (Minneapolis: University of Minnesota Press) pp.159-202

Yusoff, K. (2018) “introduction” in A Billion Black Anthropocenes or None (Minneapolis: University of Minnesota Press)

Dipesh Chakrabarty, "Whose Anthropocene? A Response" in Transformations in Environment and Society 2016/2

Inoue, C., Y. A. and Moreira, P., F. (2016) “Many worlds, many nature(s), one planet: indigenous knowledge in the Anthropocene” in Revista Brasileira de Política Internacional, 59(2) pp.1-19

Pagle, T. (2008) ‘Experimental Geography’ in Nature, pp. 104-106

Whyte, K. (2017) ‘Indigenous Climate Change Studies: Indigenizing Futures, Decolonizing the Anthropocene’ in English Language Notes 55.1-2 Fall 2017, pp.153-162

Yamamura, M. (2021) ‘Archetypes: Cordillera’s labyrinth’ in Antennae: The Journal of Nature in Visual Culture, pp. 122-139

Boettgger, S. (2008) ‘Looking at, and Overlooking, Women Working in Land Art in the 1970s’, in Nature, pp.31-34

Demos, T.J. (2016) ‘Introduction’ in Decolonizing Nature, (Berlin: Sternberg Press) pp.199-128

Nyong’ O (2019) ‘Little Monsters’ in Afro-Fabulations (New York: New York University Press) pp. 129-150

Chua, K., Davis, L., Taylor, N. (2021) Uncontainable Natures vol. #1 and #2 in Antennae: The Journal of Nature in Visual Culture, www.antennae.org.uk

Instructor: Lori Waxman
Personal Research:
Technology-related walking artworks
Walking Through Technology

Instructor: Dominque
Personal Research:
ART & TECHNOLOGY & PLANTS

Reading resources:

Instructor: Lee Blalock
Personal Research:
Game loading
Retro Talk 2022 FALL

Instructor: Edward Kac
Personal Research:
Lab-grown Meat
The social ethics of lab-grown meat.ppt

Reading resources:

Lestel, Dominique. Eat This Book : a Carnivore’s Manifesto. New York: Columbia University Press, 2016.

Adams, Carol J. The Sexual Politics of Meat : a Feminist-Vegetarian Critical Theory. Bloomsbury revelations edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., 2015.

Wurgaft, Benjamin Aldes. Meat Planet : Artificial Flesh and the Future of Food. Oakland, California: University of California Press, 2019.

Donaldson, Brianne, and Christopher Carter. The Future of Meat Without Animals. London : Rowman & Littlefield International, 2016.

Instructor: Giovanni Aloi
Personal Research:
Chinese View of Nature
Chinese View of Nature.ppt-Yuwen

Reading resources:

Ge, A. and Skawennati (2019) “Asserting Aboriginal Territories in Cyberspace” in Feminuity, online
https://www.feminuity.org/blog/interview-with-the-artist-skawennati

Aloi, G. and McHugh, S. (2021) ‘Envisioning Posthumanism’ in Posthumanism in Art and Science (New York: Columbia University Press)
pp.1-21

TallBear, K. (2011) ‘Why Interspecies Thinking Needs Indigenous Knowledge’ in Society for Cultural Anthropology, online:
https://culanth.org/fieldsights/why-interspecies-thinking-needs-indigenousstandpoints

Inoue, C., Y. A. and Moreira, P., F. (2016) “Many worlds, many nature(s), one planet: indigenous knowledge in the Anthropocene” in Revista
Brasileira de Política Internacional, 59(2) pp.1-19

Whyte, K. (2017) ‘Indigenous Climate Change Studies: Indigenizing Futures, Decolonizing the Anthropocene’ in English Language Notes 55.1-2 Fall
2017, pp.153-162